![]() ![]() What makes for a perfect theme? Here are a few ideas that can help you get started. Often, a central theme can be the thing that ties the ear stack together and makes it look complete even when the individual pieces are unmatched. There’s a fine line between an ear stack that looks delightfully left of center and one that looks completely random. There’s no rule saying that you need to wear the same type of earring in the same location in each ear. Don’t forget that mixing and matching your ear stack isn’t just a matter of choosing the earring types themselves – it’s also a matter of deciding what goes where. The real magic, though, happens when you mix earrings of different types. A big centerpiece earring flanked by studs always looks great, as does a collection consisting entirely of different-sized hoops. You can go with several different themes when it comes to mixing and matching earring types. You can find earrings with flat backs, screw-on backs, clipping backs, and many more. There are hoops and studs along with dangling centerpiece earrings. Mixing and matching earring types is an important part of creating a look that’s truly your own. When you visit a finer jewelry shop, you’ll find an almost endless variety of earrings – maybe you’ll even find the perfect item for completing your ear stack. Wearing clip-on earrings is a great way to try out a new look before committing to something permanent. The fact that a particular stack works perfectly on a model’s ear doesn’t necessarily mean that you should rush out and get your ears pierced in exactly the same locations because your ears may not have precisely the same shape. Developing your personal ear stack is about more than just choosing a group of earrings that go together just so – it’s also about making choices that mesh well with your unique anatomy. If you want to experiment with wearing a piece in a location that isn’t pierced yet, try a clip-on earring. Although the earrings worn in your lobe piercings will typically match one another, you may find that you can create a unique and appealing look by wearing different earrings in the secondary piercings of both ears.Īnother thing to remember when curating your ear stack is that not all earrings require piercings. As you work on this, remember that you don’t necessarily need to wear an earring in each piercing, and it’s not even necessary for your ears to match. ![]() ![]() Photo: Shutterstock Think About the Locations of Your EarringsĪs you work to curate your ear stack, it’s likely that you’ll want to select a piece to display in each of your piercing locations. ![]()
0 Comments
![]() Visiting the technical aspects director Devi Prasad has handled the direction, script and story departments. Rest of the artists like Kiran Rathod, Khayyum, Geetha Singh, Jeeva, Sana, Jyothi are just ok in their respective roles. ![]() Ashish Vidyarthi did a fantastic job, MS Narayana, Ali and Krishna Bhagavan evoked handful of laughs inside the hall. Sharmiela heroine from the flick is not so impressive if this involves acting but she indicated to producers through tunes they is ready for skin show when needed without hesitation. Naresh trade mark parodies and imitations of other heroes lacks a good deal in Kevvu Keka controlling his fans. Remarkably Naresh has danced in many four tunes but has extended method for doing things. Tunes behave as speed breakers with this movie and don’t assist the proceedings whatsoever.Ĭoming to the star performances Allari Naresh this time around around looked suprisingly low within the acting, credits visits director for your role presented to him. The romantic track between Naresh and Sharmila Mandre must have been better. A senior and gifted comedian like M.S.Narayana continues to be wasted within this film. Comedy quotient drops alarmingly here and also the film appears to tug so on.The director has concentrated more about approaching having a confusion drama within the other half which hasn’t labored well. The film’s other half is really a large disappointment. Entertainment quotient within the first half is decent. The retail center episode, party episode and also the song medleys came out well. ![]() The very first half of the film has good quality moments. Krishna Bhagawan, Ali and Dhan Raj entertain parts. Ashish Vidyardhi is extremely good at a complete length comedy. Sharmila Mandre has been doing a great job. Also, he looked quite stylish within this film. He been successful in entertaining audiences to some extent together with his comedy timing and actions. What happens next? For that you must watch this on silver screenĬoming to the analysis of the movie our comedy king Allari Naresh was his usual self within this film. ![]() Equipped with these details, Buchi Raju decides to visit Bangkok to find his money. To win Maha Lakshmi’s hands, Buchi Raju offers to earn lots of money within 6 several weeks leaving.Through his uncle Appa Rao, he involves learn about a Bangkok businessman named Gottam Gopalakrishna (Ashish Vidyardhi) along with a fortune that’s awaiting him. Maha Lakshmi’s father Subba Rao (M.S.Narayana) doesn’t agree to this alliance as Buchi Raju isn’t a wealthy guy. Maha Lakshmi also responds to Buchi Babu plus they fall madly in love. Buchi Raju happens to encounter Maha Lakshmi (Sharmila Mandre) one fine day and falls deeply in love with her. He lives together with his uncle Abrakadabra Appa Rao (Krishna Bhagawan), who’s a magician. Buchi Raju (Allari Naresh) is really a salesperson in Kalanikethan Mall. The film has launched today, so let’s see of if it will entertain as guaranteed. ![]() Boppana Chandrasekhar may be the producer. Here Allari Naresh and Sharmiela Mandre in lead roles seems on screen.Humor King Allari Naresh has partnered with Sharmila Mandre and director Devi Prasad for that comedy film ‘Kevvu Keka’. This movie is created by Boppana Chandrasekhar under Jahnavi Productions banner. This is actually the comedy film written and directed by Devi Prasad. Allari Naresh’s most waiting for film “Kevvu Keka” is launched today. ![]() ![]() You’ll benefit from full support for a variety of content exchange types including. Make the most of your content and important data by repurposing it from existing sources, including 3D designs with the integrated XVL Studio Corel Edition, and the optional XVL Studio 3D CAD Corel Edition add-on for advanced 3D CAD assembly formats. Find all the powerful applications you need for successĬorelDRAW® Technical Suite 2018 delivers an expansive toolbox of applications to create a wide variety of highly-detailed technical documentation, instructions, manuals and so much more!. ![]() – Dedicated illustration and design toolsĮnjoy a full suite of professional applications that covers all aspects of visual communication authoring, project creation and publishing of technical documentation.Īpply exacting specifications to design visually detailed assembly instructions, complex user manuals, multi-faceted documentation and technical marketing with versatile design tools.Īchieve unsurpassed productivity with new high-caliber features, increasing workflow efficiency and effectively delivering multi-lingual technical communication.Įxplore groundbreaking tools for sketching and illustration to demonstrate your technical authoring expertise and impress your audience.Įxperience a seamless workflow, from opening source files, such as 2D, 3D, photo, documents and data, to supporting output for print, online and mobile. – Graphically rich and technically accurate – Comprehensive suite of professional applications ![]() Technical illustration and drafting software.Achieve unsurpassed productivity with new, high-caliber features to accelerate efficiency, and get full support for technical standards to publish, share or print with this expansive technical illustration and drafting software. Benefit from the versatile authoring tools in CorelDRAW® Technical Suite that allow you to create detailed assembly instructions, complex user manuals, multi-faceted documentation and more. ![]() ![]() The film’s success gave me a sense of confidence and allowed me to trust my instincts, even though some of the faculty members at NYU hated it. I felt my way through that story, and my directing chops hadn’t been solidified yet, but my writing chops were. That story was very important to me because it was the first narrative film I ever made. It traveled so much and I got to see it with various audiences. It really opened my eyes in terms of the possibilities of storytelling and how it resonates with people across all demographics. The original movie won the first-ever HBO Short Film Competition almost 20 years ago, it played at Sundance and it was nominated for a student Academy Award. I put it into the hands of various people including Leslie Odom Jr., and the film is just a green light away from being made. I’ve already wrote the feature version, and it’s ready to go. Your first directorial effort was a lovely short film, “Two Seasons,” which I’ve heard you may be making into a feature. I just have that kind of attitude after having been forced to make anything work and being given the opportunity to fail. That education made me feel secure in how I approach filmmaking today, and I know that I can make anything work. Many of my classmates were great filmmakers, and some of them have won Oscars. It’s never about the budget, it’s always about telling a great story. The films I’ve made have been typically low-budget, and I can make them work because of my training and background. They give you a camera, your classmates are your crew and you have to produce an excellent movie or you’re going to get crushed by your professors and peers. ![]() You are trained as a guerrilla filmmaker. Now that I’ve had almost a 20-year career on and off, I’ve realized that it gave me the foundation for how I approach everything, especially when you don’t have all the money in the world. You kind of take it for granted when you’re in film school because you just don’t realize how valuable it is. How did your education at Tisch School of the Arts help form you as an artist? Swanson spoke with Indie Outlook about her collaboration with Miki Howard, her approach to exploring spirituality on film and the advice from Ruby Dee that changed her life. Parris delivers a tour de force performance as Howard, portraying the full arc of her evolution over the decades, as well as her complex relationships with the men in her life, including the abusive Eddie Phelps and the kind yet damaged Gerald Levert. It was a biopic on the iconic singer Miki Howard, and the actress cast in the coveted role was Teyonah Parris, who impressed me greatly in Spike Lee’s “Chi-Raq.” The resulting film, “Love Under New Management: The Miki Howard Story,” premiered June 12th on TV One, and it became the highest-rated original movie in the history of the network. When I met filmmaker Christine Swanson at this year’s Ebertfest, she was eager to discuss her upcoming project with me. ![]() ![]() Over continents, the main precursors to SOA in the regional background are biogenic volatile organic compounds (VOC) 6 such as isoprene, monoterpenes, and sesquiterpenes. ![]() Atmospheric oxidants, such as ozone (O 3), hydroxyl radical (OH), and nitrate radical (NO 3) react with a suite of organic vapors to form an even more complex and diverse array of products, a fraction of which partition to, and/or react in, the particle phase forming secondary organic aerosol (SOA) 5. On regional and global scales, most OA is of secondary origin 4, being formed in the atmosphere via in situ chemical reactions that lead to gas-to-particle conversion of reactive organic vapors. Organic carbonaceous material is a major and often dominant component of ambient fine particle mass 3, known as organic aerosol (OA). Identifying the chemical and physical processes which regulate fine particulate mass is thus of great interest for air quality policy, public health assessments, and studies of climate sensitivity. Our findings thus provide some of the most complete mechanistic-level guidance to the development of OA descriptions in air quality and Earth system models.Ītmospheric fine aerosol particles affect climate through alteration of Earth’s energy balance 1 and are a major contributor to degraded air quality with strong links to premature mortality and other adverse health effects 2. The extent of physical and photochemical aging, and its modulation by NO x, were key to a uniquely comprehensive combined composition-volatility description of OA. We find that precursors and chemical pathways regulating OA composition and volatility are dynamic over hours to days, with their variations driven by coupled interactions between multiple oxidants. ![]() ![]() We use online observations of hundreds of simultaneously measured molecular components obtained from 15 laboratory OA formation experiments with constraints on their effective saturation vapor concentrations to attribute the VOC precursors and subsequent chemical pathways giving rise to the vast majority of OA mass measured in two forested regions. However, the precursors and chemical processes responsible for a majority of OA are rarely conclusively identified. Organic aerosol (OA) constitutes a significant fraction of atmospheric fine particle mass. ![]() ![]() ![]() Lasting Silk on your the left half, Luminous Silk on the right half. Do your best not to observe: any bruising around the eye. ![]() Observe: problem areas around the nose and apples of the cheeks, where we can see some localised redness. These photos were taken in natural (and notoriously unflattering) daylight with no flash, no primer, no powder and no concealer. I figure, after three years, I’m finally qualified to write this review. I figured it would be a good idea to compare Lasting and Luminous because they’re both awesome but hopefully, this would provide some clarity as to why I’ve found Lasting Silk to be awesome-er. The exception is Maestro, which entirely missed the boat (my boat, anyway). I don’t pretend to fully understand the science behind it but all I can say is: these offer that soft focus, imperfection-blurring effect that is so sought after. What sets Armani bases apart from other foundations is that they’ve perfected the concept of light bouncing pigment. I’ve been using the latter religiously for three years and I think it’s perfect in almost every way, the fact that I continue to try other options is a matter of insanity. Giorgio Armani Luminous Silk was my holy grail foundation for yonks… until I discovered Armani Lasting Silk. I had some sort of strange anxiety about writing this review – how could I convey the magic of my holy grail foundation? What if my vocabulary fails me? What if this becomes a novel in which I confuse the crap out of everyone? Beauty-blogger-first-world-problems (BBFWP). ![]() ![]() ![]() How does one become a digital compositor?Ĭheck out the article about alumnus Andreas Feix, Digital Compositor at Industrial Light & Magic (ILM) in London.Location in our Barcelona studio. In addition, universities such as Filmakademie Baden-Württemberg’s Animationsinstitut offer comprehensive training and numerous opportunities to gain a foothold in the film industry in this field. DCs should also understand texturing, where small details play a role, like the polished surface of a metal armor, as well as lighting and rendering, where the final video output is produced.Īs with many other professions, experience is the most important factor in digital compositing. That is called "rigging" when it comes to the objects in detail, and "animating" when several of these objects need to be brought together and coordinated with respect to their movement. Or anything that has to do with setting these elements in motion. However, it can be quite helpful if they can overlook and master parts of the VFX pipline at least to a certain extent.įor example, part of the VFX pipeline is "modeling", where VFX artists generate individual characters or objects with the computer. But this is not absolutely necessary to work as a DC. Some DCs are therefore 3D generalists and have knowledge or even qualifications about other work steps that are necessary for VFX (pipeline). Since DCs bring together elements from different departments of a VFX production, the ability to coordinate is also a bit of a challenge. After all, a film consists of several frames, which is why digital compositors often work on a production in large teams over long periods. Knowledge of common compositing software programs such as Nuke or other image editing tools is also important.Īs a DC you should also be a team player. And these are just a few examples of their optimization tricks.ĭigital compositors should have a good eye for what makes good photography and cinematography, for example a feeling for light, composition and perspective. They also improve lighting conditions or, in the case of artificial-looking studio backdrops or costumes, create textures that make them look real. DCs redesign entire scenes when shots are not as desired afterwards. For example, they improve the look of the actors and actresses by making their wrinkles and dark circles under their eyes disappear. Not only do they take care of important design details such as consistent coloring and mixing, they also use technical means to optimize film scenes aesthetically. These objects, if they make it into the picture, must be removed and retouched by digital compositors.īut image processing by DCs usually goes far beyond removing unwanted objects. It is not uncommon that a coffee cup is left on the set during the lunch break. In fact, all kinds of technical equipment like cables, tracking utensils or scaffolding lie and hang around. For this purpose, 2D and 3D camera tracking techniques are used to record the exact camera movement.įilm sets are usually not as clean as they later appear on the screen. how to position objects in rooms optically correctly. In this context, it is important to know how good matchmoving works, i.e. Here, DCs use so-called rotoscoping and keying techniques to separate people and objects from their backgrounds and place them in other environments. In VFX productions, scenes are often not shot before a final setting, but rather in front of green or blue screens. ![]() ![]() The goal is to create the perfect, true-to-life illusion. ![]() Picture by picture, the details and the effectiveness of the image are worked on. From animated characters to spectacular stunts or explosions, the aim of CG compositing is to make the virtual characters or effects appear as realistic as possible. An important task of DCs, for example, is to integrate computer-generated content into the film scenes. Often a VFX scene consists of different elements, which are combined to a realistic looking picture by Digital Compositors.ĭigital compositors' field of activity is diverse and creative in both technical and artistic terms. This is especially true for productions that rely on visual effects (VFX). At the end of this process, digital compositors (DCs) are responsible for the final images of the film. Before you can see them on the big screen, shots are usually edited many times. Whether light, mask, costume or setting, film scenes are usually composed down to the smallest detail. ![]() ![]() ![]() How to Install this Version of the App? DISCLAIMER: We are not responsible if Spotify terminates or suspends your account due to the usage of the Spotify mod. We always make sure to update this page with the latest version, so if you are one of those who always want to have the newest version, then we will recommend you bookmark this page.ĭo you know you can now get Spotify for free not only on Android but for computers and other mobile devices, including iPhone, Mac OS, and Windows PC? Learn more with our ultimate guide. The Spotify Premium shared with you is thoroughly checked by our team, it's free from viruses, verified, secure, and safe to install. You can download the latest Spotify app for your Android smartphone and tablet devices from the download links shared at the top of this page. Spotify mod will unlock all the premium features, including unlimited skips, the ability to play any song from the playlist, unlimited shuffle, and block all ads. You can use the Spotify premium mod unlocked version and get almost all the premium features, without paying anything. ![]() We know the Spotify free version gets annoying, because of limitations like limited song skips, low-quality music, and a lot of ads. It is an easy-to-use app that allows you to download an entire album with a tap! □ About This Version Of The App If you want to download music from Spotify for offline listening then I will highly recommend you try SpotiFlyer. Tip: Download Music Offline Without Paying
![]() ![]() ![]() The Push 2 totally changes the game: the display is high–resolution with a proportional font, rendered small enough to deliver eight lines of text. The Push 1 has an LCD which can show four rows of text, each split horizontally into four blocks of 17 characters, and the low–resolution pixels are sufficient for dot matrix–style alphanumeric text, plus simple graphics (block–style level and pan indicators, for example). The main display is not only taller than that on the Push 1 (roughly 40mm top–to–bottom versus 30mm), but it also runs at much higher resolution. Once up and running, the biggest improvement in the Push 2 is obvious. While the Push 2 will technically function on bus power without its own PSU, display and controls are very dim indeed - you could probably use it in a fully darkened room, but any light spill would completely wash it out. Plug in the power supply, connect the USB cable to the computer, launch Live 9.5, and all systems are go. Setting up the Push 2 for use is as easy as you’d expect. Where the Push 1 has two rows of narrow buttons directly below its display, the Push 2 has one row of ‘display buttons’ above and one below, reminiscent of the ‘soft button’ menu systems found on many keyboard instruments. Many of the buttons have moved, as have the tempo and swing encoders, while a few buttons have been replaced or renamed. Prior to plugging in, the only other obvious difference between Push 1 and Push 2 is the layout of the controls. The Push 2 is slightly thinner than the Push 1, then, but is also noticeably deeper and wider it might be tricky to fit a Push 2 into a flightcase measured for a Push 1, although padded DJ–style backpacks should be fine. The device’s buttons are practically flush with the faceplate, although the encoders appear largely unchanged apart from the removal of the base flanges featured in the original. The first thing that struck me about the Push 2 is that it cuts a low profile: the pads protrude less far from the casing than on the Push 1, although they have the same front–to–back depth, width and horizontal spacing conversely, the touch strip is not as deeply set. Since I own a Push 1, I set up both controllers side by side for comparison. Photo: Lee MawdsleyPhysically, the Push 2 isn’t massively different from the Push 1: it’s still a matt black rectangular slab, with rotary encoders and a large display above an eight–by–eight grid of silicone pads, flanked by labelled buttons. The flip side is that an external PSU is required. All the necessary software support and documentation is included within Live 9.5.Īs well as being more sensitive to touch, the Push 2’s pads are now better lit, with more consistent intensity. This put me temporarily into a mild panic about finding a functional CD drive until I discovered that it just contained a ‘getting started’ card and some stickers. Out of the box, the Push 2 comes with a universal power supply, a right–angled USB cable (which seems a slightly odd gesture, since the power connector that plugs in next to it sticks out straight), the usual warranty booklet, and what looks a bit like a CD Digipak. One difference is that there’s no Akai logo on the Push 2: Ableton have brought all their engineering in–house in the development of the new version. I’ll use the terms Push 2 and Push 1 to differentiate the two controllers in this review, but officially, the new Push is, well, The Push. The original Push came out three years ago, and is discontinued as of now, although for the record, it works perfectly well with Live 9.5, and there’s no indication that Ableton are going to drop support for it any time soon. Obviously, Live 9 owners get the 9.5 improvements whether they own a Push 2 or not, but most are intended to exploit features of the new hardware. Most of this review will concentrate on the new device, but we’ll cover the improvements in Live 9.5 in passing. Meanwhile, and more importantly, there is a new Push controller. Live is now at version 9.5, the point five signifying a revision which, while significant, is not seen as major enough to justify an upgrade fee, and so is free to owners of Live 9. Ableton have released major new versions of their two flagship products, Live and Push. ![]() ![]() ![]() In most situations, wind helps workers cool off.Īn environmental heat assessment should account for all of these factors. Radiant heat from sunlight or artificial heat sources such as furnaces.High relative humidity makes it difficult for the body to cool itself through sweating. Four factors contribute to heat stress in workers: Environmental HeatĮnvironmental heat is more than just temperature. Sports physiologists recognize that heat-related illness may occur, surprisingly, at low to moderate temperatures, including below 65☏ when workload is very heavy (Armstrong 2007). Remember: Physical labor increases the heat experienced by workers. They should know that workers may experience heat stress at temperatures much lower than public heat advisories. Employers should be aware of any heat advisories from the National Weather Service. This step allows employers to determine if the work conditions are too hot. To determine workers' total heat stress, employers must assess both of the above heat sources.Įmployers should compare the total heat stress to published occupational heat guidance. Metabolic heat, generated by the body, is related to workload (physical activity).Environmental heat is produced by warm or hot surroundings.Two heat sources contribute to the risk of heat-related illness. Heat-related illness prevention starts by determining if a heat hazard is present in the workplace. ![]() You should consider the above factors when evaluating heat stress risk to workers. Common values given for categories of work are included in the table on Workload. Workload considerations are described at length in the OSHA Technical Manual. Use of clothing or protective gear that can reduce the body’s ability to lose excess heat.Level of physical activity, i.e., the workload leading to body heat production.Presence of heat sources (e.g., hot tar ovens or furnaces) in the work area.Environmental conditions (such as air temperature, humidity, sunlight, and air speed), especially on sequential days.There are many factors that have a role in creating an occupational heat stress risk to workers. ![]() |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |